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・ Willem de Beer
・ Willem de Blécourt
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・ Willem de Famars Testas
・ Willem de Fesch
・ Willem de Graaf
・ Willem de Heusch
・ Willem de Keyser
・ Willem de Keyser (architect)
・ Willem de Keyser (painter)
・ Willem de Kooning
・ Willem de Kooning Academy
・ Willem De Looper
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Willem de Poorter
・ Willem de Rooij
・ Willem de Sitter
・ Willem de Vlamingh
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・ Willem de Vos (academic)
・ Willem de Vos (painter)
・ Willem de Vries Lentsch
・ Willem de Waal
・ Willem de Zwart
・ Willem den Toom
・ Willem die Madoc maecte
・ Willem Doman
・ Willem Doudijns
・ Willem Drees


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Willem de Poorter : ウィキペディア英語版
Willem de Poorter

Willem de Poorter (1608–1668) was a Dutch Golden Age painter.
==Biography==
According to Houbraken he painted a very good ''Queen of Sheba'', but he painted mostly still lifes.〔 (Drost, van Terlee en Poorter biography ) in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature

His surviving paintings today are mainly small historical allegories and still lifes with metal objects. Though he has been considered in the past by (some) 19th century historians to have been a pupil of Rembrandt, he in fact lived and worked in Haarlem, not Amsterdam. He was registered as a painter in Haarlem in 1631 and in 1634 as a member of the Haarlem Guild of St. Luke.〔(Willem de Poorter in RKD )〕 The confusion about being a pupil of Rembrandt comes from an incorrect reading of Houbraken, who mentions him in the same paragraph along with two other painters; a painter by the last name of Van Terlee, and the much younger Willem Drost, who did live in Amsterdam as a young man, and was in fact a pupil of Rembrandt there.
De Poorter later influenced Hendrick Martensz Sorgh.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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